{"id":962,"date":"2026-06-18T14:29:46","date_gmt":"2026-06-18T14:29:46","guid":{"rendered":"https:\/\/ladestructiondesespacesvides.com\/whats-on\/?p=962"},"modified":"2026-08-12T14:43:28","modified_gmt":"2026-08-12T14:43:28","slug":"18%c2%b76-31%c2%b78%c2%b726-our-story-retrospective-rosa-von-praunheim","status":"publish","type":"post","link":"https:\/\/ladestructiondesespacesvides.com\/whats-on\/2026\/06\/18\/18%c2%b76-31%c2%b78%c2%b726-our-story-retrospective-rosa-von-praunheim\/","title":{"rendered":"18\u00b76 > 31\u00b78\u00b726 \u2013 OUR STORY \u2013 r\u00e9trospective rosa von praunheim"},"content":{"rendered":"\n
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Disparu en d\u00e9cembre dernier, le r\u00e9alisateur Rosa von Praunheim laisse derri\u00e8re lui un r\u00e9pertoire de plus de cent cinquante films. Cet \u00e9t\u00e9, venez explorer \u00e0 CINEMATEK la filmographie du plus camp et du plus queer des cin\u00e9astes du Nouveau Cin\u00e9ma Allemand, au travers d\u2019une s\u00e9lection d\u2019une vingtaine de ses \u0153uvres, trop rarement montr\u00e9es en Belgique.<\/em><\/p>\n\n\n\n

En 1967, Rosa von Praunheim se rend \u00e0 la quatri\u00e8me \u00e9dition de EXPRMNTL \u00e0 Knokke-le-Zoute. Il s\u2019agit de son premier festival de films, lui qui, jusque-l\u00e0, s\u2019\u00e9tait surtout int\u00e9ress\u00e9 \u00e0 la peinture, \u00e0 l\u2019\u00e9criture ou \u00e0 la performance. L\u2019\u00e9cosyst\u00e8me bouillonnant auquel il prend part \u00e0 EXPRMNTL le subjugue\u2009: il y d\u00e9couvre les films \u00ab g\u00e9niaux et trash \u2009\u00bb de l\u2019underground am\u00e9ricain, un cin\u00e9ma qu\u2019il revendique toute sa vie comme une source d\u2019influence majeure, avec les arts expressionnistes. Les images queers, radicales, de Jack Smith ou de Gregory J. Markopoulos \u2013 dont il deviendra l\u2019assistant peu apr\u00e8s \u2013 agissent, quant \u00e0 elles, comme des r\u00e9v\u00e9lations\u2009: \u00ab C\u2019est l\u00e0 que j\u2019ai vu pour la premi\u00e8re fois des gays et leurs r\u00eaves \u00e9rotiques \u00e0 l\u2019\u00e9cran \u2009\u00bb \u00e9crit von Praunheim dans son m\u00e9moire 50 Jahre pervers<\/em>.<\/p>\n\n\n\n

C\u2019est \u00e9galement \u00e0 Knokke qu\u2019il fait la rencontre du r\u00e9alisateur Werner Schroeter, avec lequel il se lie d\u2019amiti\u00e9. Schroeter lui pr\u00e9sentera, \u00e0 son tour, son actrice-phare, Magdalena Montezuma, qui devient l\u2019h\u00e9ro\u00efne d\u2019un des tous premiers films de von Praunheim, Macbeth Oper von Rosa von Praunheim<\/strong><\/a>.<\/p>\n\n\n\n

Rosa von Praunheim retient du festival belge les potentialit\u00e9s \u00e9mancipatrices des cin\u00e9mas exp\u00e9rimentaux. Il fait sienne leur \u00e9thique DIY<\/em> et d\u00e9veloppe, \u00e0 son tour, un cin\u00e9ma de la d\u00e9brouille, joyeusement brouillon et collaboratif, en friction constante avec les m\u0153urs et les normes de la culture dominante. Le camp<\/em>, le kitsch<\/em>, le mal fait et le mauvais go\u00fbt deviennent, chez von Praunheim, des outils critiques redoutables contre la soci\u00e9t\u00e9 bourgeoise ouest-allemande d\u2019apr\u00e8s-guerre (Die Bettwurst<\/strong><\/a> et sa suite Berliner Bettwurst<\/strong>)<\/a>.<\/p>\n\n\n\n

De tous les cin\u00e9astes out<\/em> du Nouveau Cin\u00e9ma Allemand \u2013 Ulrike Ottinger, Monika Treut, Elfi Mikesch, Werner Schroeter, Rainer Werner Fassbinder \u2013 Rosa von Praunheim est le seul \u00e0 revendiquer un cin\u00e9ma ouvertement gay et r\u00e9volutionnaire. Au point d\u2019en faire un \u00e9l\u00e9ment essentiel de sa persona<\/em>. Il d\u00e9cide ainsi d\u2019adopter, dans les ann\u00e9es 1960, ce nom f\u00e9minin de Rosa von Praunheim, en r\u00e9f\u00e9rence au Rosa Winkel\u2009: le triangle rose que les d\u00e9port\u00e9\u00b7es LGBTQIA+ portaient dans les camps de concentration nazis.<\/p>\n\n\n\n

En 1971, von Praunheim r\u00e9alise avec le sexologue Martin Dannecker Ce n\u2019est pas l\u2019homosexuel qui est pervers, mais la soci\u00e9t\u00e9 dans laquelle il vit<\/strong><\/a>\u2009<\/strong>: un film br\u00fblot connu pour avoir entra\u00een\u00e9, en Allemagne, l\u2019\u00e9mergence des mouvements de lib\u00e9ration gays et lesbiens contemporains. Pens\u00e9 comme une suite indirecte \u00e0 ce dernier, Une arm\u00e9e d\u2019amants, ou la r\u00e9volte des pervers<\/strong><\/a> documente, cette fois, l\u2019\u00e9mancipation queer nord-am\u00e9ricaine des ann\u00e9es 1950-1970. L\u2019Einstein du sexe<\/strong><\/a> revient sur l\u2019activisme d\u2019un\u00b7e des pionnier\u00b7\u00e8res de la militance LGBTQIA+ allemande et europ\u00e9enne\u2009: le docteur Magnus Hirschfeld.<\/p>\n\n\n\n

Dans les ann\u00e9es 1980, Rosa von Praunheim devient une figure majeure de la lutte contre le VIH\/sida et un militant r\u00e9solu du safe sex<\/em>. Avec Un virus sans morale<\/strong><\/a>, il signe une com\u00e9die musicale grin\u00e7ante, une attaque artistique radicale face aux agissements des gouvernements et des m\u00e9dias. Die Aids-Trilogie<\/strong>, sorti en 1990, concentre ses deux premiers volets (Positive<\/strong><\/a> et Silence = Death<\/strong><\/a>) sur la mani\u00e8re dont les communaut\u00e9s queers new yorkaises s\u2019organisent contre le virus. Par contraste, Fire Under Your Ass<\/strong><\/a>, le troisi\u00e8me volet de la trilogie, d\u00e9nonce l\u2019absence totale de militantisme contre le VIH\/sida en Allemagne. Le film conduit Rosa von Praunheim \u00e0 ex\u00e9cuter un des gestes politiques les plus controvers\u00e9s de sa carri\u00e8re\u2009: celui d\u2019outer <\/em>publiquement \u2013 sans leur consentement \u2013 une s\u00e9rie de pr\u00e9sentateurs de la t\u00e9l\u00e9vision germanique, \u00e0 la mani\u00e8re des actions-gu\u00e9rilla de la collective Queer Nation.<\/p>\n\n\n\n

Ind\u00e9niablement provocateurs, les films (et les prises de position) de von Praunheim composent un cin\u00e9ma de la r\u00e9volte qui se r\u00e9v\u00e8le aussi un cin\u00e9ma du soin. Ses films les plus virulents, comme Ce n\u2019est pas l\u2019homosexuel\u2026<\/strong>, sont syst\u00e9matiquement accompagn\u00e9s de discussions avec le public. Il signe aussi des portraits de femmes et de marginalis\u00e9\u00b7es qui, derri\u00e8re un camp<\/em> corrosif, r\u00e9v\u00e8lent une incroyable tendresse\u2009: pour ses acteur\u00b7ices (comme son amie Lotti Huber dans Nos cadavres vivent encore<\/strong><\/a>), pour ses collaborateur\u00b7ices (Elfi Mikesch, \u00e0 la photographie, notamment, dans Anita – Dances of Vice<\/strong><\/a> ou Horror Vacui<\/strong><\/a>), pour des vieilles vedettes oubli\u00e9es (Ich bin ein Antistar<\/strong><\/a>, Tally Brown, New York<\/strong><\/a>), pour ses m\u00e8res biologique et adoptive (Meine M\u00fctter \u2013 Spurensuche in Riga<\/strong><\/a>).<\/p>\n\n\n\n

Enfin Rosa von Praunheim d\u00e9die aux communaut\u00e9s trans et drag une s\u00e9rie d\u2019\u0153uvres qui, sans \u00e9chapper \u00e0 certaines maladresses, offrent une tribune d\u2019expression politique et artistique peu commune \u00e0 l\u2019\u00e9poque (City of Lost Souls<\/strong><\/a>en 1983, I am my own woman<\/strong><\/a> en 1992 et Transexual Menace<\/strong><\/a> en 1996).<\/p>\n\n\n\n

Un programme imagin\u00e9 par l\u2019\u00c2ge d\u2019Or, le Goethe-Institut Br\u00fcssel et ladestructiondesespacesvides. Avec le pr\u00e9cieux soutien de Missing Films, de Cin\u00e9filtres et de la R\u00e9gion Bruxelles-Capitale.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

Disparu en d\u00e9cembre dernier, le r\u00e9alisateur Rosa von Praunheim laisse derri\u00e8re lui un r\u00e9pertoire de plus de cent cinquante films. Cet \u00e9t\u00e9, venez explorer \u00e0 CINEMATEK la filmographie du plus camp et du plus queer des cin\u00e9astes du Nouveau Cin\u00e9ma Allemand, au travers d\u2019une s\u00e9lection d\u2019une vingtaine de ses \u0153uvres, trop rarement montr\u00e9es en Belgique. […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[1],"tags":[18,6],"class_list":["post-962","post","type-post","status-publish","format-standard","hentry","category-uncategorized","tag-camp-images","tag-our-story"],"yoast_head":"\n18\u00b76 > 31\u00b78\u00b726 \u2013 OUR STORY \u2013 r\u00e9trospective rosa von praunheim - ladestructiondesespacesvides<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/ladestructiondesespacesvides.com\/whats-on\/2026\/06\/18\/18\u00b76-31\u00b78\u00b726-our-story-retrospective-rosa-von-praunheim\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"18\u00b76 > 31\u00b78\u00b726 \u2013 OUR STORY \u2013 r\u00e9trospective rosa von praunheim - ladestructiondesespacesvides\" \/>\n<meta property=\"og:description\" content=\"Disparu en d\u00e9cembre dernier, le r\u00e9alisateur Rosa von Praunheim laisse derri\u00e8re lui un r\u00e9pertoire de plus de cent cinquante films. 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