{"id":32,"date":"2023-03-15T19:44:00","date_gmt":"2023-03-15T19:44:00","guid":{"rendered":"https:\/\/ladestructiondesespacesvides.com\/whats-on\/?p=32"},"modified":"2025-06-15T15:10:39","modified_gmt":"2025-06-15T15:10:39","slug":"our-story-michelle-parkerson-birth-of-notion","status":"publish","type":"post","link":"https:\/\/ladestructiondesespacesvides.com\/whats-on\/2023\/03\/15\/our-story-michelle-parkerson-birth-of-notion\/","title":{"rendered":"8\u00b74\u00b723 &#8211; OUR STORY &#8211; michelle parkerson: birth of a notion"},"content":{"rendered":"\n<p class=\"has-small-font-size\">CINEMATEK<\/p>\n\n\n\n<p class=\"has-small-font-size\">avril 8, 2023 &#8211; 19:00 &amp; 21:00<\/p>\n\n\n\n<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button is-style-outline is-style-outline--1\"><a class=\"wp-block-button__link wp-element-button\">tickets<\/a><\/div>\n<\/div>\n\n\n\n<p>BIRTH OF A NOTION:<br>An evening dedicated to the work of Michelle Parkerson<br>With Gia Abrassart &amp; Nour Outojane<\/p>\n\n\n\n<p><em>Il fut un temps \u2013 pas si lointain \u2013 o\u00f9 le cin\u00e9ma noir lesbien \u00e9tait un one-woman show.<\/em> (Gloria J. Gibson).<\/p>\n\n\n\n<p>R\u00e9alisatrice out depuis les pr\u00e9mices de sa pratique dans les ann\u00e9es 70, Michelle Parkerson est regard\u00e9e par ses pairs (Yvonne Welbon, Cheryl Dunye) comme une pr\u00e9curseuse, une figure pilote du New Black Queer Cinema. Tout au long de sa carri\u00e8re, la cin\u00e9aste n\u2019a cess\u00e9 d\u2019encourager l\u2019\u00e9panouissement d\u2019une image noire et lesbienne. \u00c0 la domination d\u2019une industrie audiovisuelle clo\u00eetr\u00e9e dans son racisme et son homophobie, exploitante et ali\u00e9nante, Parkerson oppose l\u2019id\u00e9e d\u2019un cin\u00e9ma du care, produit et distribu\u00e9 par (et pour) la communaut\u00e9 noire LBGTQIA+, attentif aux corps et r\u00e9cits dont il trace les contours, respectueux des agent\u00b7e\u00b7s (technicien\u00b7nes, acteur\u00b7ices) qui le mettent en \u0153uvre.<\/p>\n\n\n\n<p>En avril, Our Story d\u00e9die une premi\u00e8re soir\u00e9e \u00e0 Michelle Parkerson, centr\u00e9e sur sa filmographie des ann\u00e9es 90, en diffusant <strong>Odds and Ends<\/strong>, un court-m\u00e9trage de science-fiction et <strong>A Litany For Survival: the Life and Work of Audre Lorde<\/strong>, un documentaire co-r\u00e9alis\u00e9 avec Ada Gay Griffin.<\/p>\n\n\n\n<p class=\"has-small-font-size\">PROGRAMME<\/p>\n\n\n\n<hr class=\"wp-block-separator has-text-color has-contrast-color has-alpha-channel-opacity has-contrast-background-color has-background is-style-wide is-style-wide--2\"\/>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<p class=\"has-small-font-size\">19:00<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<p class=\"has-small-font-size\"><strong>Odds and Ends<\/strong><br>Michelle Parkerson<br>US, 1993, 28&#8242;<br>En 2096, les amantes Loz et Sephra combattent une arm\u00e9e supr\u00e9maciste blanche ubiquiste. Pr\u00e9sent\u00e9 par Michelle Parkerson comme \u00abA Black Amazon Science Fiction \u00bb, <strong>Odds and Ends<\/strong> est l\u2019adaptation d\u2019une nouvelle \u00e9ponyme publi\u00e9e par la r\u00e9alisatrice en 1983.<\/p>\n\n\n\n<p class=\"has-small-font-size\"><em>Projection suivie d&#8217;une discussion en fran\u00e7ais, entre Gia Abrassart, journaliste ind\u00e9pendante et militante en faveur de la culture d\u00e9coloniale et Nour Outojane artiste interdisciplinaire et chercheureuse bruxelloixe.<\/em><\/p>\n<\/div>\n<\/div>\n\n\n\n<figure class=\"wp-block-image size-medium\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"226\" src=\"https:\/\/i0.wp.com\/ladestructiondesespacesvides.com\/whats-on\/wp-content\/uploads\/2023\/03\/odds-and-ends-.jpg?resize=300%2C226&#038;ssl=1\" alt=\"\" class=\"wp-image-345\" srcset=\"https:\/\/i0.wp.com\/ladestructiondesespacesvides.com\/whats-on\/wp-content\/uploads\/2023\/03\/odds-and-ends-.jpg?resize=300%2C226&amp;ssl=1 300w, https:\/\/i0.wp.com\/ladestructiondesespacesvides.com\/whats-on\/wp-content\/uploads\/2023\/03\/odds-and-ends-.jpg?resize=1024%2C772&amp;ssl=1 1024w, https:\/\/i0.wp.com\/ladestructiondesespacesvides.com\/whats-on\/wp-content\/uploads\/2023\/03\/odds-and-ends-.jpg?resize=768%2C579&amp;ssl=1 768w, https:\/\/i0.wp.com\/ladestructiondesespacesvides.com\/whats-on\/wp-content\/uploads\/2023\/03\/odds-and-ends-.jpg?w=1225&amp;ssl=1 1225w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/figure>\n\n\n\n<hr class=\"wp-block-separator has-text-color has-contrast-color has-alpha-channel-opacity has-contrast-background-color has-background is-style-wide is-style-wide--3\"\/>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<p class=\"has-small-font-size\">21:00<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<p class=\"has-small-font-size\"><strong>A Litany For Survival: the Life and Work of Audre Lorde<\/strong><br>Ada Gay Griffin &amp; Michelle Parkerson<br>US, 1996, 90&#8242;<br>R\u00e9alis\u00e9 sur une p\u00e9riode de plus de huit ans, en constant dialogue avec Audre Lorde avant que celle-ci ne d\u00e9c\u00e8de d\u2019un cancer en 1992, ce documentaire d\u2019Ada Gay Griffin et de Michelle Parkerson se d\u00e9ploie comme une archive poignante de la vie et de l\u2019\u0153uvre de la po\u00e8te, guerri\u00e8re, noire, f\u00e9ministe, lesbienne, m\u00e8re.<\/p>\n<\/div>\n<\/div>\n\n\n\n<figure class=\"wp-block-image size-medium\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"235\" src=\"https:\/\/i0.wp.com\/ladestructiondesespacesvides.com\/whats-on\/wp-content\/uploads\/2023\/03\/audre-lorde.jpg?resize=300%2C235&#038;ssl=1\" alt=\"\" class=\"wp-image-348\" srcset=\"https:\/\/i0.wp.com\/ladestructiondesespacesvides.com\/whats-on\/wp-content\/uploads\/2023\/03\/audre-lorde.jpg?resize=300%2C235&amp;ssl=1 300w, https:\/\/i0.wp.com\/ladestructiondesespacesvides.com\/whats-on\/wp-content\/uploads\/2023\/03\/audre-lorde.jpg?resize=1024%2C801&amp;ssl=1 1024w, https:\/\/i0.wp.com\/ladestructiondesespacesvides.com\/whats-on\/wp-content\/uploads\/2023\/03\/audre-lorde.jpg?resize=768%2C601&amp;ssl=1 768w, https:\/\/i0.wp.com\/ladestructiondesespacesvides.com\/whats-on\/wp-content\/uploads\/2023\/03\/audre-lorde.jpg?resize=1536%2C1202&amp;ssl=1 1536w, https:\/\/i0.wp.com\/ladestructiondesespacesvides.com\/whats-on\/wp-content\/uploads\/2023\/03\/audre-lorde.jpg?resize=2048%2C1602&amp;ssl=1 2048w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/figure>\n\n\n\n<hr class=\"wp-block-separator has-text-color has-contrast-color has-alpha-channel-opacity has-contrast-background-color has-background is-style-wide is-style-wide--4\"\/>\n\n\n\n<p class=\"has-small-font-size\">Au sujet des intervenant\u00b7es<\/p>\n\n\n\n<p class=\"has-small-font-size\"><strong>Gia Abrassart<\/strong> est journaliste et militante en faveur de la culture d\u00e9coloniale. Elle a ouvert, en 2018, le Tiers-Lieu artistique Caf\u00e9 Congo, qui met \u00e0 l\u2019honneur les cr\u00e9ations et la r\u00e9sistance. Son blog, Cafecongo.be, invite le public \u00e0 reconsid\u00e9rer les relations belgo-congolaises d\u2019un point de vue artistique. Avec Sarah Demart, elle a publi\u00e9 l\u2019ouvrage <em>Cr\u00e9er en postcolonie 2010-2015. Voix et dissidences belgo-congolaises<\/em> (Ed. BOZAR\/Africalia, 2016). Elle a \u00e9galement cofond\u00e9 le collectif Warrior Poets avec Lise Vanderpiete en hommage au travail d\u2019Audre Lorde.<\/p>\n\n\n\n<p class=\"has-small-font-size\"><strong>Nour Outojane<\/strong> est un\u00b7e artiste interdisciplinaire et chercheureuse bruxelloixe r\u00e9sidant actuellement \u00e0 Amsterdam, o\u00f9 iel suit le master en arts visuels Blacker Blackness, ax\u00e9 sur l&#8217;imagination comme outil de lib\u00e9ration des repr\u00e9sentations de la noirceur dans l&#8217;art et le design. En collaboration avec Loup Kass et le Mothers &amp; Daughters, iel a mont\u00e9 un espace de collecte, d&#8217;activation et de cr\u00e9ation d&#8217;archives trans* belges. Son travail comprend un court-m\u00e9trage sur l&#8217;exotisation des corps racis\u00e9s et un documentaire tra\u00e7ant le portrait de quatre femmes \u00e2g\u00e9es, questionnant notre rapport au temps et \u00e0 l&#8217;\u00e2ge. Iel m\u00e8ne actuellement une recherche artistique sur le potentiel de l&#8217;archive militante et lie \u00e9criture, vid\u00e9o, illustration et textile, pour cr\u00e9er des espaces (imaginaires) de lib\u00e9ration collective.<\/p>\n\n\n\n<p class=\"has-small-font-size\">Remerciements: Michelle Parkerson, Elise Boudjema, Third World Newsreel, Women Make Movies.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>CINEMATEK avril 8, 2023 &#8211; 19:00 &amp; 21:00 BIRTH OF A NOTION:An evening dedicated to the work of Michelle ParkersonWith Gia Abrassart &amp; Nour Outojane Il fut un temps \u2013 pas si lointain \u2013 o\u00f9 le cin\u00e9ma noir lesbien \u00e9tait un one-woman show. (Gloria J. Gibson). R\u00e9alisatrice out depuis les pr\u00e9mices de sa pratique dans [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"nf_dc_page":"","om_disable_all_campaigns":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[7],"tags":[6],"class_list":["post-32","post","type-post","status-publish","format-standard","hentry","category-ourstory","tag-our-story"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>8\u00b74\u00b723 - OUR STORY - michelle parkerson: birth of a notion - ladestructiondesespacesvides<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/ladestructiondesespacesvides.com\/whats-on\/2023\/03\/15\/our-story-michelle-parkerson-birth-of-notion\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"8\u00b74\u00b723 - OUR STORY - michelle parkerson: birth of a notion - ladestructiondesespacesvides\" \/>\n<meta property=\"og:description\" content=\"CINEMATEK avril 8, 2023 &#8211; 19:00 &amp; 21:00 BIRTH OF A NOTION:An evening dedicated to the work of Michelle ParkersonWith Gia Abrassart &amp; Nour Outojane Il fut un temps \u2013 pas si lointain \u2013 o\u00f9 le cin\u00e9ma noir lesbien \u00e9tait un one-woman show. 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19:00 &amp; 21:00 BIRTH OF A NOTION:An evening dedicated to the work of Michelle ParkersonWith Gia Abrassart &amp; Nour Outojane Il fut un temps \u2013 pas si lointain \u2013 o\u00f9 le cin\u00e9ma noir lesbien \u00e9tait un one-woman show. (Gloria J. Gibson). 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