{"id":480,"date":"2025-03-24T18:55:37","date_gmt":"2025-03-24T18:55:37","guid":{"rendered":"https:\/\/ladestructiondesespacesvides.com\/whats-on\/?page_id=480"},"modified":"2025-06-15T12:56:47","modified_gmt":"2025-06-15T12:56:47","slug":"our-story-an-index","status":"publish","type":"page","link":"https:\/\/ladestructiondesespacesvides.com\/whats-on\/our-story-an-index\/","title":{"rendered":"our story \u2013 an index"},"content":{"rendered":"\n

[UNDER CONSTRUCTION]<\/p>\n\n\n\n

\u00c2GE D’OR<\/summary>\n

Carte blanche<\/em> <\/strong>Marie Losier<\/em>
Carte blanche yann Beauvais<\/em>
Lionel Soukaz, St\u00e9phane G\u00e9rard: Expansion des d\u00e9sirs<\/em>
Shu Lea Cheang: Crafting a Scifi New Queer Cinema<\/em>
Peggy Ahwesh: Little Attacks on the Edge<\/em>
Le temps avec nous \/ De tijd met ons<\/em> (Book, 2023)<\/p>\n<\/details>\n\n\n\n

<\/p>\n\n\n\n

AHWESH, Peggy<\/summary>\n

(1954 | Canonsburg, Pennsylvania, US)
Experimental filmmaker and video artist
See also: VISITE, Keith Sanborn, Kelly Reichardt, Miranda July, yann beauvais, Edson Barrus Atikum)<\/p>\n<\/details>\n\n\n\n

From Romance to Ritual<\/strong> (US, 1985) – 22.10.23<\/a>
The Deadman<\/strong> (w\/ Keith Sanborn, US, 1989) – 21.10.23<\/a>
Lies & Excess <\/strong>(US, 1998) – 21.10.23<\/a>
Kansas Atlas <\/strong>(US, 2019) – 22.10.23<\/a>
Bordel Control <\/strong>(US, 2019) – 22.10.23<\/a>
Curve the Night Sky<\/strong> (US, 2021) – 22.10.23<\/a>
The Summer Triangle<\/strong> (US, 2023) – 22.10.23<\/a>
\u2018Little Attacks on the Edge\u2019 <\/em>(conversation between Peggy Ahwesh & Iris Lafon) – 22.10.23<\/p>\n\n\n\n

AKIN, Levan<\/summary>\n

(1979 | Tumba, Sweden)
Stockholm-based film director and screenwriter of Georgian descent<\/p>\n<\/details>\n\n\n\n

And Then We Danced<\/strong> (Sweden, Georgia, 2019) – 02.12.24<\/a><\/p>\n\n\n\n

ARENDS, Fred<\/summary>\n

Our Story was created in 2017 by Fred Arends, a film critic (at Cinergie.be) and programmer at Pink Screens and Cin\u00e9marges in Bordeaux. Fred was inspired by the UCLA Outfest Legacy Project – an initiative of UCLA and Outfest (the legendary LGBTQ film festival), which aims to preserve, restore and promote \u201cold\u201d queer films and TV archives.
Fred launched Our Story with a very ambitious event in collaboration with the Legacy Project (‘Out of the Closet, Onto the Screen: Treasures from the Outfest UCLA Legacy Project<\/em>‘): an incredible programme curated by lesbian director Cheryl Dunye (25 films in 3 weeks).
We took over Our Story in 2021, after Fred left the CINEMATEK.<\/p>\n\n\n\n

<\/p>\n<\/details>\n\n\n\n

BARRACLOUGH, Jack<\/summary>\n

London-based video journalist, director and editor.
See also: Verity Susman<\/p>\n<\/details>\n\n\n\n

<\/p>\n\n\n\n

To Make You Afraid<\/strong> (w\/ Verity Susman, UK, 2012, 7′) – 06.03.2<\/p>\n\n\n\n

BARRIGA, Cecilia<\/summary>\n

(1957 | Concepci\u00f3n, Chile)
Chilean-Spanish film director. Studied at the Complutense University of Madrid. Lives in New York City.<\/p>\n<\/details>\n\n\n\n

Meeting of Two Queens<\/strong> (Spain, 1991, 14\u2019) – 06.03.24<\/p>\n\n\n\n

BARRUS ATIKUM, Edson<\/summary>\n

<\/p>\n<\/details>\n\n\n\n

Documento #0<\/strong> (Brazil, 2005, 5\u2019) – 24.09.22<\/p>\n\n\n\n

BEAUVAIS, yann<\/summary>\n

<\/p>\n<\/details>\n\n\n\n

Homovie<\/strong> (France, 1976-77, 7\u2019) – 24.09.22<\/a>
Sid A Ids <\/strong>(France, 1992) – 23.06.23
Des Rives<\/strong> (installation 16mm, w\/ Thomas Koner, 1998, 8\u2019) – 24-25.09.22<\/a>
Carte Blanche<\/em> – 24-25.09.22<\/a>
Before and After New Queer Cinema<\/em> (masterclass, 120\u2019) – 24.09.22<\/a>
Social Scourge: Before and After New Queer Cinema<\/em> (article)
Le temps avec nous \/ De Tijd Met Ons<\/em> (Book, 2023)<\/p>\n\n\n\n

BENNING, Sadie<\/summary>\n

<\/p>\n<\/details>\n\n\n\n

Living Inside<\/strong> (US, 1989, 5\u2019) – 17.02.24<\/a><\/em>
If Every Girl Had a Diary<\/strong> (US, 1990, 8\u2019) – 17.02.24<\/a><\/p>\n\n\n\n

BERGMAN, Ingmar<\/summary>\n

<\/p>\n<\/details>\n\n\n\n

Persona<\/strong> (Suede, 1966) – 27.01.24
Vargtimmen<\/strong> (Suede, 1968) – 27.01.24
A Queer Reading of Persona & Vargtimmen <\/em>(introduction + post-screening analysis by Val\u00e9rie Leclercq) – 27.01.24<\/p>\n\n\n\n

BIXHAIN, Laurianne<\/summary>\n

<\/p>\n<\/details>\n\n\n\n

BLAS, Zach<\/summary>\n

<\/p>\n<\/details>\n\n\n\n

Contra-Internet: Jubilee 2033 <\/strong>(Germany, 2017, 29\u2019) – 24.04.25<\/p>\n\n\n\n

BLIADZE, Soso<\/summary>\n

<\/p>\n<\/details>\n\n\n\n

A Room of My Own <\/strong>(Georgia, 2022) – 02.12.23<\/a><\/p>\n\n\n\n

BLACHON, Nicole<\/summary>\n

<\/p>\n<\/details>\n\n\n\n

Les Bienheureuses<\/strong> (France, 1991, 12\u2019) – 24.09.22<\/a><\/p>\n\n\n\n

BORDEN, Lizzie<\/summary>\n

<\/p>\n<\/details>\n\n\n\n

Working girls<\/strong> (US, 1986) – 15.06.22<\/p>\n\n\n\n

BORDOWITZ, Gregg<\/summary>\n

<\/p>\n<\/details>\n\n\n\n

Fast Trip, Long Drop<\/strong> (US, 1994, 54\u2019) – 10.10.24<\/a><\/p>\n\n\n\n

BROUWEZ, C\u00e9line<\/summary>\n

<\/p>\n<\/details>\n\n\n\n

BURFORD, Jennifer<\/summary>\n

See also: yann beauvais, Miles McKane<\/p>\n<\/details>\n\n\n\n

The Eccentrics <\/strong>(France, 1987, 7\u2019) – 24.09.22<\/a><\/p>\n\n\n\n

CAF\u00c9 CONGO<\/summary>\n

<\/p>\n<\/details>\n\n\n\n

Michelle Parkerson: Birth of a Notion <\/em>(conversation between Nour Outojane and Gia Abrassart) – 08.04.23<\/p>\n\n\n\n

CASTRO, Joana<\/summary>\n

<\/p>\n<\/details>\n\n\n\n

\u00d8 Ilha<\/strong> (w\/ Cl\u00e1udia Varej\u00e3o, Portugal, 2023, 11\u2019) – 04.07.24<\/p>\n\n\n\n

CEDERSTR\u00d6M, Kanerva<\/summary>\n

<\/p>\n<\/details>\n\n\n\n

Haru: The Island of the Solitary<\/strong> (w\/ Riikka Tanner, Finland, 1998, 43\u2019) – 02.07.24<\/p>\n\n\n\n

CHEANG, Shu Lea<\/summary>\n

<\/p>\n<\/details>\n\n\n\n

Fresh Kill<\/strong> (US, UK, 1994) – 22.09.23<\/a>
I.K.U.<\/strong> (Japon, 2000) – 02.10.23<\/a>
Fluid\u00f8 <\/strong>(Germany, 2017) – 03.10.23<\/a>
UKI<\/strong> (Germany, 2023) – 03.10.23<\/a>
\u2018Crafting A Scifi New Queer Cinema\u2019: a conversation with Shu Lea Cheang <\/em>– 03.10.23<\/p>\n\n\n\n

CHIARELLO, Fanny<\/summary>\n

<\/p>\n<\/details>\n\n\n\n

On Meredith Monk: a conversation with Fanny Chiarello <\/em>– 14.01.23<\/p>\n\n\n\n

CIN\u00c9FILTRES<\/summary>\n

Queer Little Eyes program<\/em> – 2023 > 2024
Strange Natures: An ecoqueer film program<\/em> – 22.06 > 17.08.24
The guilt that connects us: an evening with Patrick Tass<\/em> – 23.11.24
A conversation between Patrick Tass, Flore Mercier and Iris Lafon<\/em> – 23.11.24<\/p>\n<\/details>\n\n\n\n

<\/p>\n\n\n\n

CUKOR, George<\/summary>\n

<\/p>\n<\/details>\n\n\n\n

Sylvia Scarlett<\/strong> (US, 1935) – 05.11.21<\/p>\n\n\n\n

CURI, Juliana<\/summary>\n

<\/p>\n<\/details>\n\n\n\n

U\u00fdra: The Rising Forest<\/strong> (Brazil, US, 2022, 72\u2019) – 27.06.24<\/p>\n\n\n\n

DAJIN<\/summary>\n

<\/p>\n<\/details>\n\n\n\n

I\u2019m going to make a lesbian porn<\/strong> (China, 2014) – 23.05.22<\/p>\n\n\n\n

DASSIN, Jules<\/summary>\n

Brute Force<\/strong> (US, 1947) – 18.06.25<\/p>\n<\/details>\n\n\n\n

Brute Force <\/strong>(US, 1947, 95\u2019) – 18.06.25<\/p>\n\n\n\n

DAVIES, Terence<\/summary>\n

<\/p>\n<\/details>\n\n\n\n

Children<\/strong> (UK, 1976, 47\u2019) – 25.09.24
Madonna and child <\/strong>(UK, 1980, 29\u2019) – 25.09.24
Death and tranfiguration<\/strong> (UK, 1983, 27\u2019) – 25.09.24
The long day closes<\/strong> (UK, 1992, 85\u2019) – 25.09.24<\/p>\n\n\n\n

DELANY, Samuel R.<\/summary>\n

<\/p>\n<\/details>\n\n\n\n

See: Shu Lea Cheang: Crafting a Scifi New Queer <\/em>– 22.09 > 3.10.23
See: I.K.U. <\/strong>(Shu Lea Cheang, Japon, 2000) – 02.10.23
See: Hundreds of Tiny Movie Theaters\u2019: Slash Fictions, Chainletters & Rainbow Noise<\/em> (Lecture by Iris Lafon) – 06.03.24<\/p>\n\n\n\n

DESRIVES, Astr\u00e9<\/summary>\n

<\/p>\n<\/details>\n\n\n\n

H\u00e9ro\u00efnes<\/strong> (France, 2023, 29\u2019) – 10.10.24<\/a>
Photo\/Sensibles: entretien entre Astr\u00e9 Desrives et St\u00e9phane G\u00e9rard <\/em>(Zine, oct. 2024)<\/p>\n\n\n\n

DRIVER, Sara<\/summary>\n

<\/p>\n<\/details>\n\n\n\n

You Are Not I <\/strong>(US, 1981) – 18.02.24<\/p>\n\n\n\n

DUNYE, Cheryl<\/summary>\n

<\/p>\n<\/details>\n\n\n\n

DiAna\u2019s Hair Ego REMIX<\/strong> (w\/ Ellen Spiro, US, 2017) – 23.06.23<\/p>\n\n\n\n

DUSOLLIER, S\u00e9verine<\/summary>\n

<\/p>\n<\/details>\n\n\n\n

Queer Offences: Appropriations queers sous l\u2019\u0153il du droit <\/em>(lecture, FR, 90\u2019) – 22.04.25<\/p>\n\n\n\n

ELLES TOURNENT – DAMES DRAAIEN<\/summary>\n

Queer China<\/em> – 23.05.22
Queer China: a conversation between B\u00e9r\u00e9nice M. Reynaud and Marie Vermeiren<\/em> – 23.05.22<\/p>\n<\/details>\n\n\n\n

<\/p>\n\n\n\n

ESPINOSA, In\u00e9s<\/summary>\n

<\/p>\n<\/details>\n\n\n\n

Estereotipia<\/strong> (Spain, 2019, 15\u2019) – 04.07.24<\/p>\n\n\n\n

FITZGERALD, Zelda<\/summary>\n

<\/p>\n<\/details>\n\n\n\n

So you wanna vogue, huh?!<\/strong> (w\/ Ila Pittaluga, Belgium, 2021, 28\u2019) – 16.10.25<\/p>\n\n\n\n

FOCQUET, Victor<\/summary>\n

\u00c2ge d\u2019Or Festival<\/em> (programmation since 2023)
See: Shu Lea Cheang: Crafting a Scifi New Queer<\/em><\/p>\n<\/details>\n\n\n\n

<\/p>\n\n\n\n

FRIEDRICH, Su<\/summary>\n

<\/p>\n<\/details>\n\n\n\n

Gently Down the Stream<\/strong> (US, 1981, 14\u2019) – 24.09.22<\/a>
Damned If You Don\u2019t<\/strong> (US, US, 1981, 41′) – 18.02.24<\/p>\n\n\n\n

FUKASAKU, Kinji<\/summary>\n

<\/p>\n<\/details>\n\n\n\n

Black Lizard <\/strong>(Japan, 1968, 87\u2019) – 20.12.24<\/p>\n\n\n\n

G\u00c9RARD, St\u00e9phane<\/summary>\n

<\/p>\n<\/details>\n\n\n\n

Out Loud<\/strong> (France, 2011) – 23.06.23
Rainbow Lovers Remix <\/strong>(France, 2012) – 23.06.23
Anything Goes<\/strong> (France, 2015) – 23.06.23
La Machine Aval\u00e9e<\/strong> (France, 2015) – 23.06.23
Rien n\u2019oblige \u00e0 r\u00e9p\u00e9ter l\u2019histoire<\/strong> (France, US, 2014) – 20.10.22
En corps +<\/strong> (w\/ Lionel Soukaz, France 2021) – 12.10.22
‘Lionel Soukaz, St\u00e9phane G\u00e9rard: Expansion des d\u00e9sirs’ <\/em>(programmation) – 12 > 20.10.22
Expansion des d\u00e9sirs<\/em> (conversation w\/ Lionel Soukaz) – 13.10.22
En Corps+: a conversation<\/em> (w\/ Lionel Soukaz & Elisabeth Lebovici) – 12.10.22 | Retranscription (excerpt)
A conversation with filmmaker & programmer St\u00e9phane G\u00e9rard about his work<\/em> – 23.06.23
Le temps avec nous \/ De Tijd Met Ons<\/em> (Book, 2023)
‘Photo\/Sensibles: L\u2019histoire queer par l\u2019image’ <\/em>(programmation) – 10 > 16.10.24
Photo\/Sensibles: entretien avec Astr\u00e9 Desrives <\/em>(Zine, 2024)<\/p>\n\n\n\n

GOLDSMID, Peter<\/summary>\n

<\/p>\n<\/details>\n\n\n\n

Difficult Love <\/strong>(w\/ Zanele Muholi, South Africa, 2010, 48\u2019) – 06.04.24<\/p>\n\n\n\n

GREYSON, John<\/summary>\n

<\/p>\n<\/details>\n\n\n\n

Un\u00a9ut <\/strong>(Canada, 1997, 92\u2019) – 22.04.25<\/p>\n\n\n\n

GRUPO CHASKI<\/summary>\n

<\/p>\n<\/details>\n\n\n\n

Juliana<\/strong> (Peru, 1988, 97\u2019) – 10.05.2025<\/p>\n\n\n\n

GR\u017dINI\u0106, Marina<\/summary>\n

<\/p>\n<\/details>\n\n\n\n

The transformative power of decolonial and LGBTQ+ experimental video films<\/em> (lecture + workshop) – 28-29.03.22<\/em>
Gr\u017eini\u0107\/\u0160mid, early works: a conversation with Marina Gr\u017eini\u0107<\/em> – 07.04.22<\/p>\n\n\n\n

GR\u017dINI\u0106 \/ \u0160MID<\/summary>\n

<\/p>\n<\/details>\n\n\n\n

Moments of decision<\/strong> (Yougoslavia, 1985, 14′) – 07.04.22 | 06.03.24
Bilocation<\/strong> (Yougoslavia, 1990) – 07.04.22
Labyrinth<\/strong> (Yougoslavia, 1993) – 07.04.22
Luna 10<\/strong> (Yougoslavia, 1994) – 07.04.22
Obsession<\/strong> (Slovenia, 2008) – 07.04.22
Relations \/ 25 years of the lesbian group \u0160KUC-LL<\/strong> (w\/ Sim\u010di\u010d Zvonka , Slovenia, 2012) – 15.12.21<\/p>\n\n\n\n

HAMMER, Barbara<\/summary>\n

<\/p>\n<\/details>\n\n\n\n

Dyketactics<\/strong> (US, 1974, 4\u2019) – 24.09.22<\/a>
Pools<\/strong> (w\/ Barbara Klutinis, US, 1981, 6\u2019) – 17.02.24
Bent Time<\/strong> (US, 1984, 22\u2019) – 17.02.24
No No Nooky TV<\/strong> (US, 1987) – 23.06.23
The Female Closet<\/strong> (US, 1998, 55\u2019) – 10.10.24<\/p>\n\n\n\n

HEURE EXQUISE!<\/summary>\n

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HILLYER, Lambert<\/summary>\n

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Dracula\u2019s Daughter<\/strong> (US, 1936) – 18.02.23<\/a><\/p>\n\n\n\n

HULTBERG, Jesse<\/summary>\n

<\/p>\n<\/details>\n\n\n\n

Beautiful People<\/strong> (w\/ David Wojnarowicz, 1988, 34\u2019) – 27.06.24<\/p>\n\n\n\n

ISELP<\/summary>\n

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ITOUA, Chriss<\/summary>\n

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Muanapoto<\/strong> (France, 2022, 25\u2019) – 06.04.2024<\/p>\n\n\n\n

LE JACQUES FRANCK<\/summary>\n

Centre Culturel Jacques Franck<\/p>\n<\/details>\n\n\n\n

J\u00c1COME, Jorge<\/summary>\n

<\/p>\n<\/details>\n\n\n\n

Flores<\/strong> (Portugal, 2017, 26\u2019) – 02.07.24<\/p>\n\n\n\n

JARMAN, Derek<\/summary>\n

<\/p>\n<\/details>\n\n\n\n

The Garden <\/strong>(UK, West Germany, 1990, 91\u2019) – 09.07.24<\/p>\n\n\n\n

JULY, Miranda<\/summary>\n

<\/p>\n<\/details>\n\n\n\n

Hundreds of Tiny Movie Theaters\u2019: Slash Fictions, Chainletters & Rainbow Noise <\/em>(lecture by Iris Lafon) – 06.03.24
Specifically on July\u2019s Joanie4Jackie project<\/strong>: How To Queer your TV with a Xerox Machine <\/em>(lecture by Iris Lafon) – 11.10.24<\/p>\n\n\n\n

KALIN, Tom<\/summary>\n

<\/p>\n<\/details>\n\n\n\n

Swoon<\/strong> (US, 1992, 93\u2019) – 08.03.25<\/p>\n\n\n\n

KESHAVARZ, Maryam<\/summary>\n

<\/p>\n<\/details>\n\n\n\n

Circumstance<\/strong> (Iran, Liban, 2011) – 26.08.23<\/p>\n\n\n\n

KLONARIS, Maria<\/summary>\n

<\/p>\n<\/details>\n\n\n\n

Flash Passion<\/strong> (Greece, France, 1970, 2\u2019) – 24.09.22<\/a><\/p>\n\n\n\n

KLUTINIS, Barbara<\/summary>\n

<\/p>\n<\/details>\n\n\n\n

Pools<\/strong> <\/em>(w\/ Barbara Hammer, US, 1981 \/ 6\u2019) –<\/p>\n\n\n\n

LAFON, Iris<\/summary>\n

\u00c2ge d\u2019Or Festival<\/em> (programmation since 2023)
See: Shu Lea Cheang: Crafting a Scifi New Queer<\/em><\/p>\n<\/details>\n\n\n\n

LAKA, June<\/summary>\n

\u00c2ge d\u2019Or Festival<\/em> (programmation since 2023)
See: Shu Lea Cheang: Crafting a Scifi New Queer<\/em><\/p>\n<\/details>\n\n\n\n

<\/p>\n\n\n\n

LANSARI, Sido<\/summary>\n

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la danse du printemps<\/strong> (France, Maroc, 2022, 8\u2019) – 16.10.24<\/p>\n\n\n\n

LAPIERRE, Nicky L.<\/summary>\n

<\/p>\n<\/details>\n\n\n\n

Astro<\/strong> (Belgique, 2022) – 21.10.23<\/p>\n\n\n\n

LEBOVICI, Elisabeth<\/summary>\n

<\/p>\n<\/details>\n\n\n\n

En Corps+: conversation<\/em> (w\/ St\u00e9phane G\u00e9rard & Lionel Soukaz) – 12.10.22 | TEXT
Le temps avec nous \/ De Tijd Met Ons<\/strong><\/em> (Book, 2023)<\/p>\n\n\n\n

LECLERCQ, Val\u00e9rie<\/summary>\n

<\/p>\n<\/details>\n\n\n\n

LEYE, Veva<\/summary>\n

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LESCOT, Anne<\/summary>\n

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Des hommes et des dieux<\/strong> (w\/ Laurence Magloire, Ha\u00efti, 2002, 52\u2019) – 06.04.24<\/p>\n\n\n\n

LOSIER, Marie<\/summary>\n

<\/p>\n<\/details>\n\n\n\n

L\u2019oiseau de la nuit<\/strong> (Portugal, 2016) – 18.04.22<\/p>\n\n\n\n

LUBITSCH, Ernst<\/summary>\n

<\/p>\n<\/details>\n\n\n\n

Design for Living<\/strong> (US, 1933, 91\u2019) – 25.01.24<\/p>\n\n\n\n

LUVAN<\/summary>\n

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We Haven\u2019t Reached the Outer Rim Yet <\/strong>(performance) – 17.02.24
\u2018Something Different Down Here: Living in the Alienverse\u2019 <\/em>(programmation carte blanche) – 17 > 18.02.24<\/p>\n\n\n\n

MAGLOIRE, Laurence<\/summary>\n

<\/p>\n<\/details>\n\n\n\n

Des hommes et des dieux <\/strong>(w\/ Anne Lescot, Ha\u00efti, 2002, 52\u2019) – 06.04.24<\/p>\n\n\n\n

MAGNAN, Nathalie<\/summary>\n

<\/p>\n<\/details>\n\n\n\n

Lesborama<\/strong> (France, 1995, 30\u2019) – 06.03.24
Un homme sur deux est une femme<\/strong> (France, 1996, 6\u2019) – 10.10.24<\/p>\n\n\n\n

MANKIEWICZ, Joseph L.<\/summary>\n

<\/p>\n<\/details>\n\n\n\n

All About Eve<\/strong> (US, 1960, 138\u2019) – 19.06.25<\/p>\n\n\n\n

MAIONE, Val<\/summary>\n

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A conversation between Natyvel Pontalier and Val Maione on Sur le fil du Z\u00e9nith <\/em>(Pontalier, Gabon, Belgique, 2021, 55\u2019) – 25.06.24<\/p>\n\n\n\n

MAISON PO\u00c8ME<\/summary>\n

See: \u2018Something Different Down Here: Living in the Alienverse\u2019 – 17 > 18.02.24<\/p>\n<\/details>\n\n\n\n

<\/p>\n\n\n\n

MASSIMADI<\/summary>\n

<\/p>\n<\/details>\n\n\n\n

A Journey Into Liminal Space <\/em>(Festival Massimadi 2024) – 05 > 06.04.24
Festival Massimadi 2025 – 03 > 04.10.25<\/p>\n\n\n\n

MATTUSCHKA, Mara<\/summary>\n

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S.O.S. Extraterrestria<\/strong> (Germany, Austria, 1993, 11\u2019) – 15.08.25<\/p>\n\n\n\n

McKane, Miles<\/summary>\n

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Broken Blossoms<\/strong> (New Zealand, 1992, 6\u2019) – 25.09.22<\/a><\/p>\n\n\n\n

MERCIER, Flore<\/summary>\n

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MICHAUX, Magali<\/summary>\n

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MINGUET, Fanny<\/summary>\n

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MITCHELL, John Cameron<\/summary>\n

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Hedwig & the Angry Inch<\/strong> (US, 2001)<\/p>\n\n\n\n

MONK, Meredith<\/summary>\n

<\/p>\n<\/details>\n\n\n\n

Ellis Island<\/strong> (US, 1981) – 14.01.23<\/a>
Book of Days<\/strong> (US, 1988) – 14.01.23<\/a>
Fanny Chiarello on Meredith Monk: a conversation<\/em> – 14.01.23<\/p>\n\n\n\n

MORDIN, Anastasia<\/summary>\n

<\/p>\n<\/details>\n\n\n\n

Le project sextoy<\/strong> (w\/ Lidia Terki, France, 2014, 75\u2019) – 16.10.24<\/p>\n\n\n\n

MUHOLI, Zanele<\/summary>\n

<\/p>\n<\/details>\n\n\n\n

Difficult Love<\/strong> (w\/ Peter Goldsmid, South Africa, 2010, 48\u2019) – 06.04.24<\/p>\n\n\n\n

NEVES MARQUES, Isadora<\/summary>\n

<\/p>\n<\/details>\n\n\n\n

A Mordida<\/strong> (Portugal, Brazil, 2019, 26\u2019) – 04.07.24<\/p>\n\n\n\n

NICHOLS, Mike<\/summary>\n

<\/p>\n<\/details>\n\n\n\n

Silkwood<\/strong> (US, 1983, 130\u2019) – 17.08.24<\/p>\n\n\n\n

OSWALD, Richard<\/summary>\n

<\/p>\n<\/details>\n\n\n\n

Anders als die Andern <\/strong>(Germany, 1919) – 04.03.23<\/a><\/p>\n\n\n\n

OTTINGER, Ulrike<\/summary>\n

<\/p>\n<\/details>\n\n\n\n

Freak Orlando<\/strong> (West Germany, 1981, 127\u2019) – 20.02.25
See also: Petite histoire du camp dans le cin\u00e9ma queer<\/em>, lecture by Iris Lafon (100\u2019, FR) – 20.02.25<\/p>\n\n\n\n

OUTOJANE, Nour<\/summary>\n

<\/p>\n<\/details>\n\n\n\n

20+1 ans du Festival Pink Screens : table ronde d\u00e9di\u00e9e aux archives LGBTQIA+<\/em> – 16.11.22
Michelle Parkerson: Birth of a Notion<\/em> (conversation between Nour Outojane and Gia Abrassart) – 08.04.23<\/p>\n\n\n\n

PAINLEV\u00c9, Jean<\/summary>\n

<\/p>\n<\/details>\n\n\n\n

L\u2019Hippocampe ou \u00ab Cheval marin \u00bb<\/strong> (France, 1934, 14\u2019) – 04.07.24<\/p>\n\n\n\n

PANG, Yuhong<\/summary>\n

<\/p>\n<\/details>\n\n\n\n

She\u2019s Not a Boy<\/strong> (w\/ Robert Tokanel, US, 2019, 23\u2019) – 05.04.24<\/p>\n\n\n\n

PARKERSON, Michelle<\/summary>\n

<\/p>\n<\/details>\n\n\n\n

Storm\u00e9: Lady of the Jewel Box<\/strong> (US, 1989, 21\u2019) – 7.05.25
Odds and Ends<\/strong> (US, 1993) – 08.06.23
A Litany For Survival: the Life and Work of Audre Lorde <\/strong>(w\/ Ada Gay Griffin, 1996) – 08.06.23
Michelle Parkerson: Birth of a Notion (conversation between Nour Outojane and Gia Abrassart)<\/em> – 08.04.23<\/p>\n\n\n\n

PASOLINI, Pier Paolo<\/summary>\n

<\/p>\n<\/details>\n\n\n\n

Teorema<\/strong> (Italia, 1968)<\/p>\n\n\n\n

PIETTE, Christophe<\/summary>\n

See: Carte blanche yann Beauvais
Lionel Soukaz, St\u00e9phane G\u00e9rard: Expansion des d\u00e9sirs
Peggy Ahwesh: Little Attacks on the Edge
Theatrum Mundi: An Ulrike Ottinger Retrospective
Le temps avec nous \/ De Tijd Met Ons <\/em>(Book, 2023)<\/p>\n<\/details>\n\n\n\n

<\/p>\n\n\n\n

PINK SCREENS<\/summary>\n

<\/p>\n<\/details>\n\n\n\n

Cin\u00e9ma, Archives, Transmission: 20+1 ans du Festival Pink Screens <\/em>(programmation) – 15 > 16.11.22
Table ronde d\u00e9di\u00e9e aux archives LGBTQIA+<\/em> – 16.11.22<\/p>\n\n\n\n

PITTALUGA, Ila<\/summary>\n

<\/p>\n<\/details>\n\n\n\n

So you wanna vogue, huh?! <\/strong>(w\/ Zelda Fitzgerald, Belgique, 2021, 28\u2019) – 16.10.25<\/p>\n\n\n\n

PONS, Ventura<\/summary>\n

<\/p>\n<\/details>\n\n\n\n

Oca\u00f1a, Retrat intermitent <\/strong>(Spain, 1978) – 18.04.22<\/p>\n\n\n\n

PONTALIER, Natyvel<\/summary>\n

<\/p>\n<\/details>\n\n\n\n

Sur le fil du Z\u00e9nith<\/strong> (Gabon, Belgium, 2021, 55\u2019) – 25.06.24
A conversation between Natyvel Pontalier and Val Maione (Back2SoilBasics)<\/em> – 25.06.24<\/p>\n\n\n\n

POWELL, Michael<\/summary>\n

SEE: Michelle Williams Gamaker, Su Friedrich<\/p>\n<\/details>\n\n\n\n

Black Narcissus <\/strong>(w\/ Emeric Pressburger, UK, 1947, 100\u2019) – 18.05.24<\/p>\n\n\n\n

PRESSBURGER, Emeric<\/summary>\n

SEE: Michelle Williams Gamaker, Su Friedrich<\/p>\n<\/details>\n\n\n\n

Black Narcissus <\/strong>(w\/ Michael Powell, UK, 1947, 100\u2019) – 18.05.24<\/p>\n\n\n\n

P\u00dcRRER, Ursula<\/summary>\n

SEE: Michelle Williams Gamaker, Su Friedrich<\/p>\n<\/details>\n\n\n\n

Flaming Ears <\/strong>(w\/ A. Hans Scheirl, Dietmar Schipek, Austria, 1992, 84\u2019) – 15.08.25<\/p>\n\n\n\n

REICHARDT, Kelly<\/summary>\n

<\/p>\n<\/details>\n\n\n\n

Certain Women<\/strong> (US, 2016)<\/p>\n\n\n\n

RV<\/summary>\n

<\/p>\n<\/details>\n\n\n\n

Le temps avec nous \/ De Tijd Met Ons <\/strong><\/em>(Book, 2023)
RV: une s\u00e9lection de textes et de po\u00e8mes<\/em> –<\/p>\n\n\n\n

SCHEIRL, Hans A.<\/summary>\n

<\/p>\n<\/details>\n\n\n\n

Flaming Ears <\/strong>(w\/ Ursula P\u00fcrrer, Dietmar Schipek, Austria, 1992, 84\u2019) – 15.08.25<\/p>\n\n\n\n

SCHIPEK, Dietmar<\/summary>\n

<\/p>\n<\/details>\n\n\n\n

Flaming Ears <\/strong>(w\/ A. Hans Scheirl, Ursula P\u00fcrrer, Austria, 1992, 84\u2019) – 15.08.25<\/p>\n\n\n\n

SCHLESINGER, John<\/summary>\n

<\/p>\n<\/details>\n\n\n\n

Sunday Bloody Sunday<\/strong> (UK, 1971, 109\u2019) – 29.01.24<\/p>\n\n\n\n

SCHOENBRUN, Jane<\/summary>\n

<\/p>\n<\/details>\n\n\n\n

A Self-Induced Hallucination<\/strong> (US, 2018, 72\u2019) – 09.07.25
We\u2019re All Going to the World\u2019s Fair<\/strong> (US, 2021, 86\u2019) – 03.07.25
I Saw the TV Glow<\/strong> (US, 2O24, 100\u2019) – 05.07.25<\/p>\n\n\n\n

SCOTT, Ridley<\/summary>\n

<\/p>\n<\/details>\n\n\n\n

Alien<\/strong> (US, 1979) – 17.02.24<\/p>\n\n\n\n

SERAFIM, Marcos<\/summary>\n

<\/p>\n<\/details>\n\n\n\n

Masisi Wouj<\/strong> (w\/ Steevens Sim\u00e9on, Sanba Yonel, Ha\u00efti, 2021, 22\u2019) – 06.04.24<\/p>\n\n\n\n

SICHEL, Alex & Sylvia<\/summary>\n

<\/p>\n<\/details>\n\n\n\n

All Over Me<\/strong> (US, 1997) – 24.08.22<\/a><\/p>\n\n\n\n

SIM\u00c9ON, Steevens<\/summary>\n

<\/p>\n<\/details>\n\n\n\n

Masisi Wouj<\/strong> (w\/ Marcos Serafim, Sanba Yonel, Ha\u00efti, 2021, 22\u2019) – 06.04.24<\/p>\n\n\n\n

SMITH, D.<\/summary>\n

<\/p>\n<\/details>\n\n\n\n

Kokomo City <\/strong>(US, 2023, 73\u2019) – 05.04.24<\/p>\n\n\n\n

SMOLAR, Ash \/ Anne<\/summary>\n

<\/p>\n<\/details>\n\n\n\n

SNAP!<\/summary>\n

<\/p>\n<\/details>\n\n\n\n

SNAP! Closing Film Festival (programmation)<\/em> – 15.06.22<\/p>\n\n\n\n

SOUKAZ, Lionel<\/summary>\n

<\/p>\n<\/details>\n\n\n\n

Le sexe des anges<\/strong> (France, 1979) – 13.10.22<\/a>
Race d\u2019Ep<\/strong> (w\/ Guy Hocquenghem, France, 1979) – 17.10.22
La Marche Gaie<\/strong> (France, 1980) – 13.10.22<\/a>
Ixe<\/strong> (France, 1980) – 20.10.22
Maman que man <\/strong>(France, 1982) – 24.10.22
Tino<\/strong> (w\/ Guy Hocquenghem, France, 1985) – 24.10.22
En Corps+<\/strong> (w\/ St\u00e9phane G\u00e9rard, France 2021) – 12.10.22<\/a>
‘Expansion des d\u00e9sirs’<\/em> (conversation w\/ St\u00e9phane G\u00e9rard) – 13.10.22
En Corps+: conversation<\/em> (w\/ St\u00e9phane G\u00e9rard & Elisabeth Lebovici) – 12.10.22 | Text version
Agenda 1983 <\/strong>(Booklet, 2023)
Le temps avec nous \/ De Tijd Met Ons <\/em>(Book, 2023)<\/p>\n\n\n\n

SPIRO, Ellen<\/summary>\n

<\/p>\n<\/details>\n\n\n\n

DiAna\u2019s Hair Ego: AIDS Info Up Front <\/strong>(US, 1990) – 23.06.23
DiAna\u2019s Hair Ego REMIX<\/strong> (w\/ Cheryl Dunye, US, 2017) – 23.06.23<\/p>\n\n\n\n

SUSMAN, Verity<\/summary>\n

<\/p>\n<\/details>\n\n\n\n

To Make You Afraid <\/strong>(w\/ Jack Barraclough, UK, 2012) – 06.03.24<\/p>\n\n\n\n

TANNER, Riikka<\/summary>\n

<\/p>\n<\/details>\n\n\n\n

Haru: The Island of the Solitary<\/strong> (w\/ Kanerva Cederstr\u00f6m, Finland, 1998, 43\u2019) – 02.07.24<\/p>\n\n\n\n

TASS, Patrick<\/summary>\n

<\/p>\n<\/details>\n\n\n\n

Mea Culpa<\/strong> (Belgique, 2023, 72\u2019) – 23.11.24
A conversation between Patrick Tass, Flore Mercier and Iris Lafon <\/em>– 23.11.24<\/p>\n\n\n\n

TERKI, Lidia<\/summary>\n

<\/p>\n<\/details>\n\n\n\n

Le project sextoy<\/strong> (w\/ Anastasia Mordin, France, 2014, 75\u2019) – 16.10.24<\/p>\n\n\n\n

THIELEMANS, Diego<\/summary>\n

<\/p>\n<\/details>\n\n\n\n

TOKANEL, Robert<\/summary>\n

<\/p>\n<\/details>\n\n\n\n

She\u2019s Not a Boy <\/strong>(w\/ Yuhong Pang, US, 2019, 23\u2019) – 05.04.24<\/p>\n\n\n\n

TREUT, Monika<\/summary>\n

<\/p>\n<\/details>\n\n\n\n

Gendernauts: A Journey Through Shifting Identities<\/strong> (Germany, 1999) – 15.11.22
Genderation<\/strong> (Germany, 2021) – 15.11.22<\/p>\n\n\n\n

TSUKERMAN, Slava<\/summary>\n

<\/p>\n<\/details>\n\n\n\n

Liquid Sky <\/strong>(US, 1982, 110\u2019) – 14.08.25<\/p>\n\n\n\n

TYKWER, Tom<\/summary>\n

<\/p>\n<\/details>\n\n\n\n

3<\/strong> (Germany, 2009, 119\u2019) – 30.01.24<\/p>\n\n\n\n

VALL\u00c9E, Jean-Marc<\/summary>\n

<\/p>\n<\/details>\n\n\n\n

C.R.A.Z.Y.<\/strong> (Canada, 2005) – 20.07.22<\/a><\/p>\n\n\n\n

VAREJ\u00c3O, Claudia<\/summary>\n

<\/p>\n<\/details>\n\n\n\n

\u00d8 Ilha <\/strong>(w\/ Joana Castro, Portugal, 2023, 11\u2019) – 04.07.24<\/p>\n\n\n\n

VAN SANT, Gus<\/summary>\n

<\/p>\n<\/details>\n\n\n\n

Mala Noche<\/strong> (US, 1985, 75\u2019) – 03.09.21<\/p>\n\n\n\n

VAN TONGEREN, Eva<\/summary>\n

<\/p>\n<\/details>\n\n\n\n

VERMEIREN, Marie<\/summary>\n

Peggy Ahwesh: Little Attacks On the Edge <\/em>(programmation) – 21.10 > 22.10.23<\/p>\n<\/details>\n\n\n\n

VINTI, Michel-Ange<\/summary>\n

Peggy Ahwesh: Little Attacks On the Edge <\/em>(programmation) – 21.10 > 22.10.23<\/p>\n<\/details>\n\n\n\n

VISITE<\/summary>\n

Peggy Ahwesh: Little Attacks On the Edge <\/em>(programmation) – 21.10 > 22.10.23<\/p>\n<\/details>\n\n\n\n

VON PRAUNHEIM, Rosa<\/summary>\n

<\/p>\n<\/details>\n\n\n\n

Nicht der Homosexuelle ist pervers, sondern die Situation, in der er leb<\/strong>t (Germany, 1971) – 04.03.23<\/a><\/p>\n\n\n\n

WACHOWSKI, Lana & Lilly<\/summary>\n

<\/p>\n<\/details>\n\n\n\n

Bound<\/strong> (US, 1996, 108\u2019) – 08.03.25<\/p>\n\n\n\n

WHALE, James<\/summary>\n

<\/p>\n<\/details>\n\n\n\n

The Bride of Frankenstein <\/strong>(US, 1935) – 25.05.23<\/a>
About James Whale: Gods and Monsters <\/strong>(Bill Condon, US, UK, 1998) – 25.05.23<\/a><\/p>\n\n\n\n

WEI, Tingting<\/summary>\n

<\/p>\n<\/details>\n\n\n\n

Bi China<\/strong> (China, 2017) – 23.05.22<\/p>\n\n\n\n

WEERASETHAKUL, Apichatpong<\/summary>\n

<\/p>\n<\/details>\n\n\n\n

Tropical Malady<\/strong> (Thailand, France, Germany, Italia, 2004) – 08.07.2023<\/a><\/p>\n\n\n\n

WILLIAMS GAMAKER, Michelle<\/summary>\n

<\/p>\n<\/details>\n\n\n\n

House of Women <\/strong>(UK, 2017, 14\u2019) – 07.05.24
The Fruit is There to Be Eaten<\/strong> (UK, 2018, 24\u2019) – 07.05.24
The Eternal Return<\/strong> (UK, 2018, 17\u2019) – 07.05.24
The Bang Straws<\/strong> (UK, 2021, 17\u2019) – 08.05.24
Thieves<\/strong> (UK, 2023, 27\u2019) – 08.05.24
Lecture by Michelle Williams Gamaker<\/em> – 08.05.24<\/p>\n\n\n\n

WOJNAROWICZ, David<\/summary>\n

<\/p>\n<\/details>\n\n\n\n

Beautiful People<\/strong> (with Jesse Hultberg, 1988, 34\u2019) – 27.06.24<\/p>\n\n\n\n

YONEL, Sanba<\/summary>\n

<\/p>\n<\/details>\n\n\n\n

Masisi Wouj <\/strong>(w\/ Marcos Serafim, Steevens Sim\u00e9on, Ha\u00efti, 2021, 22\u2019) – 06.04.24<\/p>\n\n\n\n

ZAATARI, Akram<\/summary>\n

<\/p>\n<\/details>\n\n\n\n

Red Chewing-Gum<\/strong> (Liban, 2001, 12\u2019) – 10.10.24<\/p>\n\n\n\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

[UNDER CONSTRUCTION] From Romance to Ritual (US, 1985) – 22.10.23The Deadman (w\/ Keith Sanborn, US, 1989) – 21.10.23Lies & Excess (US, 1998) – 21.10.23Kansas Atlas (US, 2019) – 22.10.23Bordel Control (US, 2019) – 22.10.23Curve the Night Sky (US, 2021) – 22.10.23The Summer Triangle (US, 2023) – 22.10.23\u2018Little Attacks on the Edge\u2019 (conversation between Peggy Ahwesh […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"nf_dc_page":"","om_disable_all_campaigns":false,"footnotes":""},"class_list":["post-480","page","type-page","status-publish","hentry"],"yoast_head":"\nour story \u2013 an index - ladestructiondesespacesvides<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/ladestructiondesespacesvides.com\/whats-on\/our-story-an-index\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"our story \u2013 an index - 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